Maria Lalić
Geboren 1952 in Sheffield. Sie lebt und arbeitet in Bath, England.
In geradezu wissenschaftlicher Recherche erarbeitet sich die Künstlerin Werkzyklen über Jahre hinweg. So zeigte die Galerie in den vergangenen 15 Jahren Arbeiten aus dem Zyklus „Metals & Colours“ und „History Paintings“. Für die neue Werkreihe der „Landscape Paintings“ hinterfragte die Künstlerin den Namen einer Malfarbe oder eines Pigments wie z.B. „Paris Blue“ oder „English Green“ und ordnet dies einem berühmten Landschaftsbild der Epoche zu. An dessen Ursprung, wie hier Seurats "Brücke von Courbevoie", entnahm sie dann Erdkrumen, die im heimischen Atelier zu feinstem Pigmentstaub zerrieben und schlussendlich in den unteren Bildteil der neuen Arbeiten aufgetragen wurden.
Born 1952 in Sheffield. Lives and works in Bath, England.
Using a methodical, almost scientific approach the artist has worked for years on her series. Over the past 15 years the Gallery has shown, for example, works from the series “Metals & Colours” and “History Paintings”. For her new series “Landscape Paintings” the artist has investigated the names of painting colours or pigments – for example, “Paris Blue“ or “English Green” – and referred to a famous landscape painting of the time (here Seurat's "Bridge of Courbevoie"). From these locations she has collected earth, which she ground in her studio to the finest pigment and then used it to paint the bottom part of her new paintings. Paris Blue Landscape Painting - 2004 (Seurat - Bridge of Courbevoie) Öl auf Leinwand Format 91,5 x 91,5 cm
Im Studio
Einzelausstellungen - Solo Exhibitions
| 1988 |
Victoria Art Gallery, Bath |
| 1991 |
Todd Gallery, London |
| 1993 |
Todd Gallery, London |
| 1996 |
Todd Gallery, London |
| 1997 |
Galerie Renate Bender, München (C)
Jensen Gallery, Wellington, N.Z. (C) |
| 1998 |
Galerie Maria Chailloux, Amsterdam (with Jo Heijnen) |
| 1999 |
Jensen Gallery, Auckland, N.Z. |
| 2000 |
Galleri Christian Dam, Oslo |
| 2001 |
Galerie Renate Bender, München |
| 2005 |
Galerie Renate Bender, München |
| 2007 |
'Colour and Metal' Royal Albert Memorial Museum, Exeter |
2009
|
Madison Contemporary Art, London
|
2011
|
Galerie Renate Bender, München (C) |
|
|
Sevres Blue, Landscape Painting, Öl/ Leinwand, 34 x 49 cm, 2004
("Le Chemin de Sevres", Corot, 1855-65)
Arbeitswand im Studio der Künstlerin mit Landkarten und Fotos von den Orten, an denen die Erden gesammelt wurden, sowie dazugehörige Referenzgemälde.
Working wall in artist‘s studio showing map of earth collections and related extant paintings.
Ausstellungsansicht I, Maria Lalic - "Landscape Paintings" in der Galerie Renate Bender, 2011
Ausstellungsansicht II, Maria Lalic - "Landscape Paintings" in der Galerie Renate Bender, 2011
Ausstellungsansicht III, Maria Lalic - "Landscape Paintings" in der Galerie Renate Bender, 2011
Ausstellungsansicht IV, Maria Lalic - "Landscape Paintings" in der Galerie Renate Bender, 2011
Gruppenausstellungen - Selected Group Exhibitions
| 1991 |
Large Works/Gallery Artists. Todd Gallery, London
Art 91, Business Design Centre, Islington
Art Jonction. Nice, France
A Painting Exhibition in Two Parts. Todd Gallery, London |
| 1993 |
Basil Beattie, Maria Lalic, Edwina Leapman. Todd Gallery, London
A Sense of Purpose. Mappin Art Gallery, Sheffield. (C)
Art Köln, 26 Internationaler Kunstmarkt 92, Cologne.1993
Roger Clarke, Maria Lalic, David Leapman. Todd Gallery, London
Moving into View. Recent British Painting. Arts Council of Great Britain Touring Exhibition
Commencing Royal Festival Hall, London. (C)
Art Köln, 27 Internationaler Kunstmarkt 93, Cologne |
| 1994 |
Moving into View. Recent British Painting. Arts Council of Great Britain Touring Exhibition
Myles Mehen Gallery, Darlington Arts Centre, Darlington
Chapter Gallery, Cardiff. Oriel Gallery, Mold, Clwyd
Art Köln, 28 Internationaler Kunstmarkt 94, Cologne
Martin Creed, Gabriel Klasmer, Maria Lalic, Mark Pimlott, Perry Roberts, Peter Wüthrich
Todd Gallery, London |
| 1995 |
Moving into View. Recent British Painting. Arts Council of Great Britain Touring Exhibition
Newlyn Art Gallery, New Road, Newlyn, Penzance
University Gallery, University of Northumbria
Norwich Gallery, Norwich
Drumcroon Gallery, Wigan
Art 95. London Contemporary Art Fair, Business Design Centre, Islington.
Rosa Lee, Perry Roberts, Marcia Hafif, Maria Lalic, David Leapman. Todd Gallery, London
On Paper. Todd Gallery, London
20 British Works on Paper : 1980-1995. Victoria & Albert Museum, London (Pamphlet)
Inge Dick, Rosa Hesling, Maria Lalic. Galerie Renate Bender, München (Katalog verfügbar)) |
| 1996 |
Art 96. London Contemporary Art Fair, Business Design Centre, Islington
Mostly Monochrone. Green on Red Gallery, Dublin
Art Köln, 30 Internationaler Kunstmarkt 96, Cologne
Inge Dick, Maria Lalic, Marylin Willis. märz galerien. Mannheim and Ladenburg
Art Frankfurt, Frankfurt
Small Truths. A John Hansard Gallery touring exhibition. Commencing John Hansard Gallery, Southampton (C) |
| 1997 |
Art97. London Contemporary Art Fair, Business Design Centre, Islington.
Small Truths. Todd Gallery, London. Leeds City Art Gallery, The Northern Gallery for Contemporary Art, Sunderland
Aspekte Konkrete Kunst. marz galerien. Mannheim and Ladenburg
Art Frankfurt, Frankfurt
Yellow. Todd Gallery, London
Jerwood Painting Prize. Lethaby Galleries, London (C )
Painting after Formalism. Jensen Gallery, Wellington |
| 1998 |
Clear and Saturated. Arti et Amicitiae. Amsterdam (C)
Art Frankfurt, Frankfurt
Eye was a Child. Auction for Save the Children. Saatchi Gallery, London (C).
Kunst 98 ZÜRICH, Zürich
Painting after Formalism. Jensen Gallery, Auckland
Material Konzept Konstrukt. Kunstverein, Steyr. Touring to Berchtold-Villa, Salzburg, and Forum Konkrete Kunst, Erfurt (K)
Syngligt : England – Sverige. Galerie Konstruktiv Tendens. Stockholm.
Works on Paper. Jensen Gallery, Auckland, N.Z.
Small Works. Green on Red Gallery, Dublin |
| 1999 |
'was weiss ist wissen die weisen’, Galerie Renate Bender, München
‘White Out’ Gallery Fine, London
Kunst 99 ZÜRICH, Zürich |
| 2000 |
Art2000. Islington, London, with Gallery Fine
‘Blue’ The New Art Gallery, Walsall
‘Farbzeit’, Verein für aktuelle Kunst. Oberhausen
Art Frankfurt. Frankfurt. with Galerie Renate Bender, München
10.10.2000 marz galerien. Mannhein
Five Positions of European Painting, Galerie Renate Bender, München
10.10.1, (2) (3) (4). marz galerien. Ladenburg |
| 2001 |
Art 2001. Islington, London. With Gallery Fine
Line Up, London. galleryfine2
Art Köln with Galerie Renate Bender, München
Base Metal. Gf2, London |
| 2002 |
Art2002. Islington, London, with Gf2
A Szín Önállá Élete. Colour – A life of its own. Műcsarnok Kunsthalle Budapest. (C) |
| 2003 |
'Seeing Red' An international exhibition of non objective painting
Hunter College, Times Square Gallery, New York. (C)
'Farben' Jensen Gallery, Auckland, NZ |
| 2004 |
'Maria Lalic, Caroline de Lannoy, Robert Davies'
Hirschl Contemporary Art, London
'C6 H10 05' Works on Paper, Jensen Gallery, Auckland, N. Z.
'Die Farbe hat mich II (nicht nur rot)'
Karl Ernst Osthaus Museum, Hagen |
| 2006 |
'Artists and Alchemy' Sherbourne House, Dorset |
|
2008
|
"Die Faszination der Farbe Rot",Galerie Renate Bender, München
"Drawing", Madison Contemporary Art, London
|
| 2010 |
"Monochrom I", Galerie Renate Bender, München
|
|
|
Delft Blue, Landscape Painting, Öl/ Leinwand, 96,5 x 117,5 cm, 2005
("View oft Delft", Vermeer, 1660)
Venetian Red Landscape Painting - 2011 - (Street in Venice. Spitzweg. C1850) - Öl auf Leinwand/Oil on canvas - 31.5 x 16 cm
English Green, Landscape Painting, Öl/ Leinwand, 101,6 x 127 cm , 2007
("Flatford Mill", Constable, 1816 - 17)
Paris Blue, Landscape Painting, Öl/ Leinwand, 46,4 x 55,3 cm , 2004
("The Bridge at Courbevoie", Seurat, 1886 - 87)
Werke in öffentlichen Sammlungen - Public Collections
Tate Gallery
Victoria and Albert Museum
Museum fur Konkret Kunst, Ingolstadt
Karl Ernst Osthaus Museum, Hagen
Arts Council of England
Department of Trade and Industry
Deutsche Bank
Glaxo Holdings
Rosehaugh Stanhope Developments PLC
The Pearson Group
and numerous private collections in England, Austria, Denmark, Germany, Holland, Sweden, Switzerland and New Zealand
Antwerp Blue Landscape Painting - 2011 (The Quay at Antwerp. Boudin. 1874)- Öl auf Leinwand/Oil on canvas -
29.2 x 43.8 cm
Berlin Blue Landscape Painting – 2011 - (The Berlin-Potsdam Railway. Menzel. 1847) - Öl auf Leinwand/Oil on canvas -
42 x 52 cm
Flanders Yellow, Landscape Painting , Öl/Leinwand, 101 x 192 cm, 2004
("Lamentation. Petrus Christus", 1446-57)
Bohemian Green Landscape Painting - 2011 (Country in Central Bohemia. Kosárek. 1855) - Öl auf Leinwand/Oil on canvas -
75 x 117.5 cm
Studio der Künstlerin mit den zu feinstem Pigment vermahlenen, gesammelten Erden.
Artist‘s studio with jars of pigments ground from earths collected.
Commissions
| 1999 |
Equitable House. 47-51 King William Street, London. EC1 |
| 2011 |
Royal Albert Memorial Museum, Exeter
|
Awards
| 1994 |
G W Melhuish Award South West Arts |
| 1997 |
British Council Grant |
History Painting 1, Cave, Red earth, 1995, 150 x 150 cm
Reviews
| 1991 |
Sarah Kent: Time Out
Rebecca Fortnum: Galleries
Clare Melhuish: Building Design |
| 1992 |
David Lillington: Time Out |
| 1993 |
Caryn Faure Walker: Untitled |
| 1996 |
Sue Hubbard: Time Out
Nick Wegner: What’s On
Estelle Lovatt: Southern Cross. London Lights |
| 1997 |
Maite Lores: Small Truths. Contemporary Visual Arts 14
Sue Hubbard: Time Out
Godfrey Worsdale: Small Truths. Art Monthly
JoJo Moyes: The Independent
Mark Amery: Wellington Evening Post
Mark Amery: Sunday Star - Times |
| 1998 |
Sue Hubbard: Out of the Void. Contemporary Visual Arts
Jo Heijnen: Helder en Verzadigd. de nieuwe maatschappij
Peter Alexander Fiedter: Kultur, Twinager Allemaine |
| 1999 |
Martin Coomer; Time Out |
| 2000 |
Terry Grimley: Birmingham Post
Charles Darwent: Independent on Sunday
|
|
|
|
|
Two Metals and Two Yellows, 2005, 96 x 96 cm, Ölfarbe, Leinwand, Zink, Blei
Catalogues (C)
| 1992 |
Michael Tooby: 'A Sense of Purpose'. Introduction and essay |
| 1993 |
Hilary Lane, Sacha Craddock: 'Recent British Painting'. Introduction and essay |
| 1995 |
Galerie Renate Bender, Prof. Eugen Gomringer: ‘Drei Frauen Konkret’ |
| 1996 |
Nicholas de Ville: ‘Maria Lalic’. Todd Gallery, London.
Nicholas de Ville: ‘Small Truths’. Southampton and touring |
| 1997 |
Nicholas de Ville: ‘Maria Lalic - History Painting’
Galerie Renate Bender, München
(Katalog verfügbar)
Allan Smith: ‘Lead Fall Paintings’ Jensen Gallery, Wellington, N.Z.
Judith Bumpus: ‘Jerwood Painting Prize’ |
| 1998 |
Sotirakis Charalambou: ‘Clear and Saturated’
José Luis Brea: ‘Painting and Occurrence. Clear and Saturated.’ Arti et Amicitiae, Amsterdam |
| 1999 |
Heidi Bierwisch, Peter Volkwein, Heinz Gappmayr, Britta E Buhlmann, Sigurd Rompza, Peter Assman: Material Konzept Konstruct. Forum Konkrete Kunst.Erfurt |
| 2000 |
John Gage, Michael Tooby: Blue. The New Art Gallery, Walsall
Dr Michael Fehr, Dr Karin Stempel: Die Farbe hat mich. Karl-Ernst-Osthaus Museum, Hagen |
| 2002 |
Livia Páldi: A Szín Önállá Élete. (Colour – A life of its own)
Michael Fehr: An exhibition of Hungarian and Internatinal Monochrome
Maria L Molná, János Sturez: painting. Műcsarnok. Budapest |
| 2004 |
Alicia Foster, 'Tate Women Artists' |
2006
|
Bryony Bonds: Artists and Alchemists
|
| 2007 |
Rebecca Fortnum 'Contemporary British Women Artists in their own
words' |
2011
|
Dr. Michael Fehr: "Maria Lalic. Landscape Paintings", Galerie Renate Bender, München
|
|
|
Copper and Two Greens 2004, 45 x 180 cm, Ölfarbe, Leinwand, Kupfer
Lead and Two Yellows, 45 x 180 cm, Ölfarbe, Leinwand, Blei
|
